Kerosene Child/So I Ran My Camera was originally exhibited at the Rosny Barn in Hobart as part of the 2015 Clarence City Jazz Festival. In collaboration with Video Artist Raef Sawford it explored the life of Tasmanian born war reporter Neil Davis.
From humble beginnings in post-depression rural Tasmania, Davis became one of the world’s most sought-after combat cameramen / journalist of his time.
Growing up near Sorell in Southern Tasmania, Davis was talented in many fields: expert horse rider; professional footballer with the Clarence Football Club; eloquent orator and keen photographer - an area where he pushed the boundaries both technically and conceptually.
He was also an incredible risk-taker with a bent for gambling, hard living, and a fierce reputation for courage under fire, continually putting himself at the frontline of combat.
It was this lack of fear or concern for his safety that allowed him to capture some of the most gripping footage of the Vietnam War, bringing the harsh realities of war into the living room.
Fittingly Davis not only died doing what he loved, (he was reporting on one of Thailand’s many Coups) but his camera was still rolling after he was hit with shrapnel, tragically recording his death.
The Work is divided into two pieces; Kerosene Child and So I Ran My Camera. Kerosene Child is written as an exploration of Davis' early life, his time in Tasmania leading up to his first overseas assignment. So I Ran My Camera is based on his professional life in South East asia covering conflicts in Vietnam, Borneo, Cambodia, Thailand and Laos.
Both pieces were written for Piano, Double Bass, Tenor Saxophone, Intonarumori, Percussion, Bass Guitar and Field Recordings and features Australian musicians Phil Bywater, Anita Hustas and Dylan Banks and Mat Ward. In the original exhibition both sound pieces were played simultaneously from different rooms with the sounds bleeding into each other in the space between the rooms.
Recorded on the hottest days in the longest year, "Radioactive Desire" is an avant-garde piece with an almost visceral impact. Bandcamp New & Notable Sep 5, 2021
A theatrical change of pace for the Australian double bassist, vocalist, and composer; neoclassical splendor with a cathartic undertow. Bandcamp New & Notable Oct 18, 2023
Composer and bass player Håkon Thelin aims to cut to the essence of the double bass by focusing on technique with these contemporary pieces. Bandcamp New & Notable Apr 11, 2023
Experimental duo Meatshell explore the possibilities of the human voice, pairing it with wild, corkscrewing horn lines. Bandcamp New & Notable Apr 18, 2021
On this stunning new LP, Fatwires treats the bass guitar with a series of effects to change its sound in these gripping darkambient tracks. Bandcamp New & Notable Oct 5, 2020